1915Thanhouser CompanyTwo reelsWestern

Mercy on a Crutch

No copy you can watch online. No print is known to survive. What follows is what does: the release, the cast, the story, and what the trade press said at the time.

The story

“In the primitive society of the mining camp town where Mercy lived, there was no niche for a cripple. The first person who had ever spoken kindly to the little lame orphan was a stranger who disappeared from the camp that same night. A few days later, the sheriff went with his posse into the mountains to hunt down a certain Wiley, an outlaw. Mercy had seen the stranger hiding in the hills. Once she fancied she saw him creep into a cave. She knew the meaning of the hard-twist rope coiled on the sheriff’s saddle-horn. It was a wonderful ride the little cripple girl made to save the fugitive. She found him in the cave, wounded and alone. There the sheriff discovered them. ‘But this ain’t Wiley,’ he said. ‘It is Ned Franey, the new sheriff at Vista. How’d you get in this shape, Ned?’ The stranger pointed to the rear of the cave. Presently, the posse brought forth the outlaw, in irons. Franey had trapped and imprisoned him, single-handed. The new sheriff of Vista brought happiness at last to his little deliverer.”

Summary from Reel Life · 10 July 1915

What the papers said

1 review · 2 articles · 1 advertisement

“A two-reel offering of considerable appeal, telling the story of a poor orphan girl made a cripple for life by her brutal uncle. She saves the life of a neighboring town marshal, who is mistaken for an outlaw. The story is told in a simple, direct manner and is well constructed. Some of the photography is little dim, but the offering as a whole is quite strong.”

The Moving Picture World · 24 July 1915

Articles2 · 29 May 1915 – 19 June 1915

29 May 1915The New Rochelle Pioneer1 min

It is presumed that the following article pertains to Mercy on a Crutch; however, Riley Chamberlin did not have the lead role in this picture

“One wouldn’t recognize Oak Street and Pugsley Hollow Monday and Tuesday, because it took on a real Wild West atmosphere. Jack Harvey is doing a Western picture featuring Helen Badgley and Riley Chamberlin, and ‘Doctor’ McCarthy and his gallant crew changed the Murray Place into a Western grocery and post office. Horses were used and a stage coach figured into the scheme of things, and the housewives in the neighborhood left undone those things which should have been done, to watch Harvey’s group do the picture. One could get the aroma of burning edibles and knew that many a good dinner had to be thrown away because of the novelty which drew the cooks away from gas ranges. And the kiddies were late for school, too, more than 200 of them remaining beyond the period of grade to see the Thanhouser Kidlet in action. ‘Jumping Jocko’ Gironda did great work in riding as a Pony Express messenger.”

19 June 1915The New Rochelle Pioneer1 min

“In Jack Harvey’s last picture produced while he was in the employ of the Thanhouser Company, some great wild and wooly riding was secured for a two-reel script, Mercy on a Crutch.... Leo [Post], by the way, made one of the finest falls ever seen on the screen, covering about 15 feet, and narrowly escaping death; Jock [Gironda] made a fall at a crossroads when he was shot from a horse that was a pippin, and all in all, the riding compared with anything yet seen in a Western script.”

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17 July 1915The Moving Picture World1 min

“A unique character is the little girl Mercy who is dropped as from heaven into a frontier town where a kind word is most rare. And makes a gentle little soul of veritable spitfire, and also gives play for some thrilling action.”

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Cast and crew

Director
John Harvey
Cast
Carey L. Hastings as his wife
Helen Badgley as their child
Helen Fulton as Mercy Tanner
John Lehnberg as the sheriff
Leo Post as posse members
Morgan Niblack as sheriff
Thomas Hand as Wiley
Wayne Arey as Ned Franey

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More about this film

Bowers’ notes
  1. Reel Life, which was having great difficulty with the spelling of Wayne Arey’s surname during this time, often spelling it “Ayre” or another variation, in its July 10, 1915 issue, in a cast listing for Mercy on a Crutch, came up with “Eyrie.” 2. Tulla Hough was designated as “Lula” Hough in some publicity; she was also known as Tula Belle. 3. This was the last Thanhouser film directed by John Harvey (although it was not his last film to be released). 4. In The New Rochelle Pioneer, June 19, 1915, Thomas Hand’s first name was given as “Ed.”

From Volume II: Filmography of Q. David Bowers’ Thanhouser Films: An Encyclopedia and History, reproduced with permission and unchanged. Read the history of 1915 →

Cite as: Bowers, Q. David. Thanhouser Films: An Encyclopedia and History, “Mercy on a Crutch”. thanhouser.org/films/mercy-on-a-crutch/

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